Tuesday, 5 October 2010

* Lighting - Peter Wormleighton 'Alice in Wonderland'


1) How is image lit?
Lit using studio lighting, probably a background light used and a key light to hit her top just under her chin and her face on the left, maybe used a fill light on the right hand side of the image to reduce shadows.  


2) How are colours / shadows used and to what effect?
There are minimal shadows, or not very high contrast shadows. They are used subtly to emphasise facial features, and details in the clothing and hair. 


3) How does lighting effect the mood / atmosphere or style of photography?
Lighting used to capture texture of the satin and tweed to created a glamorous and expensive texture, also capture the blonder sections in the models hair. 


4) What special considerations would you need to think about if recreating an image like this?
Having a well lit image without over exposing it, if using a flashgun could bounce light of the ways to create the subtle effect and also use a key light to capture the texture. The background light isn't over exposure either to created a plain white background but still has texture in the wall compared to more contemporary portraiture. 


5) What could you steal from this idea?
Really like the simple compositions of these series and how the fashion makes the images. Like the idea of capturing textures and working with less contrast than usual, also making sure the lighting is correct so less post production retouching work is needed. 


Arial & Frontal
- key & fill lights (reflectors?)























* AO1

project plan 
6 - 8 shoots
artists - aperture / ISO / shutter speed, composition, lighting
photoshop research - print screens & experiments
400 words on lighting
painter research

Monday, 4 October 2010

* SHOOT 6 - PEARL & LOCKET





This was a really quick mini shoot i took when i was away for a weekend, i like the idea of the composition however the lighting wasn't right when i took the image so i've needed to overly edit the photograph (picnik - cross process and 1960s).

CONTACT SHEET IN JOURNAL 

* SHOOT 6A SUITCASES

EDITS



I am really happy with how these images turned out, they were taken in an antiques shop in Gloucester and I think the sepia style really suits the composition. Hardwick and Marshal both use similar props in their fashion photography so I would like to experiment more with models and locational shoots. 

RAWS







Sunday, 3 October 2010

* ;3


A friend posted this image to my facebook as apparently it reminded her of me, she was kinda right:) I love the composition and it reminded me of a similar set of images I took over the summer, I'm going to continuing experimenting with this vintage style in my work which is highly influence by the 60s and 70s.  

* SHOOT 5 - PUNK INSPIRED

This shoot was inspired by the patterns Steven Meisel uses in his work. I plan to experiment with a graphics / mixed media style so images like this are perfect for that kind of idea. 

EDITS



RAWS
















* Updated Ideas

Alexander Ulrich


weheartit.com
nylon mag art
typography - fashion


Nikki Farquaharson
Neil Duerden
Twiggy
Coco Illustrations


boho
polaroid
Luc Coiffant


mask
gimp
picnik


film
layering
vintagey film effects


James Dawe
James Blagden


graphics
saymayday
fashion
urban outfitters


daydreamlily
art & commerce
Arthur Elgot
Richard Burbridge
alice in wonderland